Stephen King on Q UNCUT: don’t miss this audio interview

Master storyteller Stephen King is interviewed by Jian Ghomeshi on CBC radio about his new novel 11/22/63, which, for those of you who don’t know, is the date that J.F.Kennedy was assassinated. It’s a time travel novel which asks: “if you could change a watershed moment in history, would you?  And perhaps also — if you could, should you?” CBC.ca | Q | Stephen King on Q UNCUT.

This is such an interesting interview, even if you didn’t live through this period.  And, I suspect that if you have ever doubted King’s talent, commitment,  and integrity, this interview will put your doubts to rest.

Thanks Jian.  Your interviews are always a treat.

Daily Writing Tips

If you’re in the market to improve your writing craft, Daily Writing Tips is a particularly useful site to check out.  They have regular posts on all sorts of things like:  commonly misused words, rules for using numbers, foreign expressions you should know,  and redundant-phrases-to-avoid.  Their tips and helpful posts are valuable for all sorts of writing professionals.

Romance Writing Contest

Although I enjoy a steamy romance every now and then, I doubt I’d be able write one, at least not a good one.  But,  if you have any interest in giving romance writing a try, now might be a good time to check out Harlequin’s new contest http://www.soyouthinkyoucanwrite.com/, especially given the success of their Young Adult romance series.  Apparently, last year they picked up no less than 25 new authors, and they’re on the look-out for more.  The contest only runs from November 7-November 11, so if you’ve been working on a romance, now’s the time to polish it up and send it in.  Good luck, and let me know how it goes.

 

Tips for Writers

I love The Guardian.  I’d even go so far as to say that it you want to be a writer,  it’s even more of a ‘must read’ than the New York Times.  Even seasoned writers will relate to tips offered by some of the best in the business…Elmore Leonard, Diana Athill, Margaret Atwood, Roddy Doyle, Helen Dunmore, Geoff Dyer, Anne Enright, Richard Ford, Jonathan Franzen, Esther Freud, Neil Gaiman, David Hare, PD James and AL Kennedy.

Here are a few of my favorites

Elmore Leonard…”Never use a verb other than “said” to carry dialogue. Never use an adverb to modify the verb “said”

Diana Athill…”Read it aloud to yourself because that’s the only way to be sure the rhythms of the sentences are OK”

Margaret Atwood…”You most likely need a thesaurus, a rudimentary grammar book, and a grip on reality. This latter means: there’s no free lunch. Writing is work. It’s also gambling. You don’t get a pension plan. Other people can help you a bit, but ­essentially you’re on your own. ­Nobody is making you do this: you chose it, so don’t whine.”

Roddy Doyle…”2Do be kind to yourself…3 Until you get to Page 50. Then calm down, and start worrying about the quality. Do feel anxiety – it’s the job”

Helen Dunmore…”4 Reread, rewrite, reread, rewrite. If it still doesn’t work, throw it away. It’s a nice feeling, and you don’t want to be cluttered with the corpses of poems and stories which have everything in them except the life they need.”

Geoff Dyer…”6 Have regrets. They are fuel. On the page they flare into desire”

Anne Enright…”2 The way to write a book is to actually write a book.”

Richard Ford…”9 Try to think of others’ good luck as encouragement to yourself”

Esther Frued…”2 A story needs rhythm. Read it aloud to yourself. If it doesn’t spin a bit of magic, it’s missing something. 3 Editing is everything.”

Neil Gaiman…”1 Write.”

P D James…”4 Write what you need to write, not what is currently popular or what you think will sell”

Al Kennedy…”7 Read. As much as you can. As deeply and widely and nourishingly and ­irritatingly as you can. And the good things will make you remember them, so you won’t need to take notes”

By the way, this isn’t a new article, but it’s well worth going back to have a look at.  In fact, there are tons of articles well worth a second look.  Thanks Jeremy Tankard for the reminder.

NaNoWriMo

Today is the first day of NaNoWriMo.  Ok, for those of you who don’t have a clue what I’m talking about, NaNoWriMo is the equivalent of a marathon for writers.  The idea is to write every day of the month with the completion of a 50,000 word novel by November 30.  When it comes to National Novel Writing Month there is no chance for editing along the way, no winners and no prizes.  You might be asking, Why bother?  Well, if you’ve been meaning to write the great American (or the great Canadian) novel for years now, but just haven’t gotten around to it, NaNoWriMo  just might be the push you need. Besides, you can meet other writers, get pep talks and support, or just commiserate.  So stop talking about it, get yourself signed up, and get writing.

Eleven Tips for New Writers

Eleven Tips for New Writers

1) Write…just do it.  Stop talking about it and get a first draft written, one page at a time.

2) Read.  Everything…the award-winning, the inspiring, and books on the craft and business of writing

3) Join a writer’s group, either on-line or local.  If you can’t find one, start one.  

4) Keep a journal for notes, inspirational  quotes, useful blogs,websites, books & authors

5) Work on your craft,  this is a never-ending process… there’s always always more to learn. 

6) Once you have a completed first draft, edit.  

7)Then edit some more.  Edit as many times as it takes to create a polished manuscript.

8) Research the market.  

9) Write a killer cover letter

10) Send your manuscript out to the most appropriate places. Do not, I repeat, do not send your manuscript everywhere.  If you do, you will be wasting everyone’s time (including your own).

11) Ignore your mailbox (or email inbox) and repeat steps 1-10.

More Guardian Top 10 Lists of Books for Kids

A while back, I posted a link to Cornelia Funke’s top 10 Fairytales for children published in the Guardian.  Well, I’m not sure how I missed the others, but the Guardian has a bunch of top ten lists for kids including: fantasy, space books, fictional families, and more.  I think my favorite is the top 10 list of unwords and their origins.  Don’t know what an unword is?  Well, you’ll have to visit the Guardian’s site to find out.  You’ll definitely want to check out all the lists though, and maybe even compare them with your own top 10 lists!  Enjoy…

Marc Nobleman and 30 Minutes Over Oregon

Marc Nobleman is smart.  Really really smart.  He’s figured out a way to use social media to bring attention to an “unbook,” a not yet published picture book that has garnered praise from numerous publishing houses, but not a single solitary contract offer.  The non-fiction picture book is called 30 Minutes Over Oregon, and here’s some of the praise it’s garnered:

“…I think the story is fantastic”

“Compelling and well told”

“Haunting”

“I think boys would particularly like it”

Marc is not a newbie.  He has over 70 books published.  Why?  In my humble opinion, it’s because Marc isn’t just a great writer, he’s tenatious. He’s not willing to dump a manuscript that he believes in into a drawer and forget about it. In fact, it’s practically an essential quality if you want to get published in today’s market.  So, for all you writers out there, both published and unpublished, drop into Marc’s site and see what confidence in a manuscript, and a little ingenuity can do for your career.  You won’t be disappointed.

Writers’ Union of Canada Short Prose Competition for Developing Writers


CALL FOR SUBMISSIONS

19th Annual Short Prose Competition

for Developing Writers

PRIZE $2,500

 The Writers’ Union of Canada is pleased to announce that submissions are being accepted until November 3, 2011 for the 19th Annual Short Prose Competition for Developing Writers. The winning entry will be the best Canadian work of up to 2,500 words in the English language, fiction or non-fiction, written by an unpublished author.

PRIZE

$2,500 for the winning entry, and the entries of the winner and finalists will be submitted to three Canadian magazines.

JURY

Writers Kevin ChongAnne Emery, and Sylvia Fraser will serve as the jury.

ELIGIBILITY

This competition is open to all Canadian citizens and landed immigrants who have not had a book published by a commercial or university press in any genre and who do not currently have a contract with a book publisher. Original and unpublished (English language) fiction or non-fiction is eligible.

HOW TO SUBMIT ENTRIES:

  • ·         Entries should be typed, double-spaced, in a clear twelve-point font, and the pages numbered on 8.5 x 11 paper, not stapled.
  • ·         Submissions will be accepted in hardcopy only.
  • ·         Include a separate cover letter with title of story, full name, address, phone number, email address, word count, and number of pages of entry.
  • ·         Please type the name of entrant and the title of entry on each numbered page. This is not a blind competition.
  • ·         Make cheque or money order payable to The Writers’ Union of Canada. Multiple entries can be submitted together and fees can be added and paid with one cheque or money order, $29 per entry.
  • ·         Entries must be postmarked by November 3, 2011 to be eligible.
  • ·         Mail entries to: SPC Competition, The Writers’ Union of Canada, 90 Richmond Street East, Suite 200, Toronto, ON M5C 1P1.


Results will be posted at www.writersunion.ca in February 2012. Manuscripts will not be returned.

 

Gatekeepers and Quiet Censorship

Publisher Weekly and their various blogs are  a wonderful resource for writers and readers.  Today  in PW Genreville, I came across a most interesting article written by a couple of co-authors about an agent’s rejection.  This, however, wasn’t the usual “no thanks” letter.  In fact, Rachel Manija Brown and Sherwood Smith were offered representation, but only if they would nix the gay character in their novel or make him straight and remove all references to his sexual orientation.  This was a “line drawn in the sand” issue for both authors who declined the offer.  It was a serious enough issue that they decided to take it further with the above mentioned article.  To be clear, these two published authors were not dissing the agent.  After all, agents have to make a living, and their personal tastes did not enter into their offer.  What the authors are saying though, is that this kind of gatekeeping is really not acceptable.

FYI, I’ve posted the comment I left at PW Genreville below.  If you feel as strongly about quiet censorship and gatekeeping as I do, or as strongly as Manija Brown and Smith do, then you may want to weight in too, either here, or at PW Genreville.

I haven’t written anything thus far with gay characters, but I have noticed this kind of silent censorship lately and I find it particularly disturbing.  Kids and teens need to be able to see themselves reflected in literature for a variety of reasons, many of which have been discussed as a result of the sweeping “darkness of young adult literature” generalization that was debated recently re: Wall Street Journal article.  The bizarre need to whitewash literature is nothing new, but what is particularly insidious is that now, books may not even make it to publishers much less onto bookshelves.  I hope you not only find an agent to sell your story, but a publisher who is willing to risk the wrath of a few narrow minded people in order to provide kids and teens with the literature they want and deserve to have access to if they so choose.

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